不安
类型： / 地区：其它 / 年份：1954
状态：已完结
地区：其它
语言：其它
年份：1954
导演：罗伯托·罗西里尼
更新：2024-09-24
简介：Whenever I see La Paura I think of it as a companiWhenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.骑士影视飘花电影网整理了秋霞电影网网罗，天堂影视又名360影院每日定时更新超过百部影片，完整版高清在线观看。是电影电视剧爱好者的第一选择!在线电影、电视剧在线完整免费视频骑士影视，最完整的影视全集观看专注。《不安》网友影评： 公皙宜紫；这部电影也是带我们了解了中亚草原的历史故事，总体还是很不错，历史的还原很好宇文镀仑；致敬和衍生的部分也挺好的东方甲四赫；#炮制女朋友# 豆瓣打分我觉得 低了 故事虽然无聊 可是还是有点人情味 结局，，，香港电影就这套路。人物太局限了 死在框里了 这我同意 可是我个人感觉 看小燕子像穿越了 人物和人物快速碰撞一下 也蛮有趣的 两分太低了 我去刚刚想起来 它为什么分低 好像电影大部分有点跑题详情